The Top Ten for Introducing New Art Into a Church

When considering placing new art in a church, several important discussions should take place to ensure a thoughtful and meaningful integration of the artwork into the sacred space. Here are some key points for discussion:

  1. Theological Alignment: Discuss how the artwork aligns with the church's theological beliefs and core values. Consider if it supports the church's mission and communicates the desired message to the congregation.

  2. Purpose and Symbolism: Explore the intended purpose of the artwork and the symbolism it carries. Discuss how the artwork can enhance worship, inspire reflection, or serve as a visual aid in conveying spiritual truths.

*image - St. Peter’s Basilica, Vatican City

3. Artistic Quality: Assess the artistic quality and craftsmanship of the proposed artwork. Consider its aesthetics, creativity, and technical skill. Determine if it reflects excellence and communicates a sense of beauty and reverence.

4. Congregational Engagement: Engage the congregation in the decision-making process by seeking their input and opinions. Consider conducting surveys, hosting discussions, or forming committees to involve the community in selecting or commissioning the artwork. You might be interested in our blog post about arts committees here.

*Image - Our Redeemer Lutheran, Augusta, GA

5. Historical and Cultural Context: Consider the historical and cultural context of the church and its congregation. Discuss how the artwork can honor and respect the church's traditions while also inviting dialogue and embracing diversity.

6. Architectural Integration: Examine how the artwork will integrate harmoniously with the church's architectural elements, such as the layout, style, and overall design. Discuss if the artwork should be a focal point or blend more subtly into the environment.

7. Maintenance and Preservation: Discuss the long-term maintenance and preservation of the artwork. Consider factors such as durability, materials used, and the need for periodic restoration or conservation.

8.

Budget and Funding: Determine the budget available for acquiring or commissioning the artwork. Explore potential funding sources, such as donations, grants, or fundraising initiatives, to ensure the project's financial feasibility.

*Image - art by Keith Harring, Grace Cathedral, SF, CA

9. Artist Collaboration: If working with an artist, establish open lines of communication and discuss the artist's creative process, timeline, and any specific requirements or constraints. Encourage collaboration between the artist and the church community.

10. Ethical Considerations: Address any ethical concerns related to the artwork, such as cultural appropriation, controversial subject matter, or potential offense to certain groups. Seek to ensure that the artwork aligns with the church's ethical principles and fosters inclusivity.

Lastly, do not presume that everyone can interpret the art. Nancy Chinn recommends suggests that some of us by nature do not learn that way. She goes on to say in addition, we often are not taught in our schools or our churches to do this. Include some words, perhaps a paragraph of interpretative questions or a committee statement about the intent of the work, in a bulletin, a flyer or from the lectern, or in a children’s moment. (If you like these ideas you’ll appreciate Chinn’s book Spaces for Spirit: Adorning the Church - this is an Amazon Affiliate link)

*Image - Communion table cloth by Carrot Top Studio. Read about it here.

By engaging in these discussions, a church can make informed decisions about the placement of new art, fostering a spiritually enriching environment that resonates with the congregation and honors the church's values. I’d love to know about your experience! Share with me here.

New blog post in the works — “Recharging!”


Jenny Gallo

Jenny Gallo is the artist and owner of Carrot Top Studio. Since 2004 Carrot Top Studio has sold unique, handmade ministry stoles and related products to a global clientele. The first chapter of her professional life permitted her to teach art in Chicago, Houston and Pittsburgh. Her B.S. in Art Education was earned from The Pennsylvania State University. Jenny Gallo resides in the Detroit, MI area.

http://www.CarrotTopStudio.com
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